BEST OF BARRY - "TALES FROM THE GIMLI HOSPITAL" - ORIGINAL POSTING: FEBRUARY 25, 2008

It was one of those nights where I had so much to do that I thought I would deal with none and just sit down and watch a movie. Went through my unwatched VHS dubs... Tales from the Gimli Hospital. Sounds like a good pick for tonight; Canadian filmmaker Guy Maddin's 1988 feature. His first feature film.

After watching it tonight for the first time in a few years, I am sure it is his still his best feature film. As Maddin said years ago, Gimli feels like a film that was found in some permafrost after being forgotten or lost for years. Specifically, it is a film which would have been made, or appears to have been made, during the sound transition era: Those are for all intents and purposes the years 1928 - 1930. Indeed, to this viewer who admits having a fondness for the 'big changeover' aesthetic, Tales from the Gimli Hospital looks and sounds like the genuine article.

Maddin nailed it, as it were. For all this authenticity, the director has made an original film... with touches made by a man who is looking back in nostalgia. He has stated that this period in cinema is a favourite of his, even with, or because of, the technical and artistic problems inherent in the beast -- at least with the more conventional directors: Static camera work, primitive and often rudimentary audio mixing, and so forth. Maddin's affection and fondness of the source material shows.

Gimli was shot over a period of eighteen months; typical of very low budget filmmaking. The first cut came out to approximately 50 minutes: Too short to be a feature and too long to call a short. Maddin secured 'arts council' money to beef up the running time.

Tales from the Gimli Hospital, like almost all films which eventually claim cult status, did not explode onto the scene, but rather crept along as word of mouth spread, eventually snagging viewers like yours truly.

The first time I heard of Guy Maddin, his Gimli, and the Winnipeg Film Group, was in an article I read in the Toronto Star newspaper back in the summer of 1990.

This film group and their films sounded so exciting to me.