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The Mist does have its thespian moments of opportunity, but what drives The Mist is what drove the kind of flicks that Bert I. Gordon made: Balls and All.
I freely admit that I have never been a Steven King fan; have never been able to get through one of his books (I have tried) but am aware his novella was the springboard for this film. Apparently King approves of Darabont‘s take. So do I.
The basic plot? People are cooped up in a grocery store and held there by various thingies: Lotsa bug thingies of various proportions but unified voracity. It is a matter of survival for the occupants -- against the immediate threat and a growing internal sect of Christian fundamentalist weirdos. Which is scarier? This is a question pondered by the stars of the show… one which makes them toss aside the dice and use logic.
Darabont directs and makes film here with a sure hand; as a kid in a candy store. (Some red Smarties, a few green, but lots of black ones.) He loves his bug movies and he reminds viewers like me -- as if I needed to be reminded.
The only weakness, at least for me, is the ending. All I thought during that pivotal last reel moment was, “No, come on, there’s going to be an ‘African Queen’ shot here. The camera will pull back to reveal… “
I guess the characters don’t or didn’t watch enough movies.
Make no mistake, I do like downer endings. And I much prefer The Mist over the director’s grossly overrated The Shawshank Redemption.
Post Script: There are two direct don’t-have-to-reach-for connections for me in The Mist. The first was that zinger Outer Limits episode titled “The Zanti Misfits” where ant-like alien creatures threaten a town and military outpost. There is a big battle. The other example is a Lost In Space episode where the Jupiter 2 (the Robinson family’s flying saucer home) is shrouded in an alien mist. As the white fog ‘rolls’ down the main viewport, a creature’s claw hangs down from above, dangling against the perspex. Professor John Robinson (dad) ties a rope around his waist and gives the other end to son Will before venturing forth. (The other family members have been disappearing one by one until just dad and son are left.)
(My guess is Frank Darabont is more than familiar with the above.)
Did Bert I. Gordon ever direct any TV? I know that Tarantula director Jack Arnold did (Gilligan’s Island).
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