Thursday, September 13, 2012

BEST OF BARRY - "BOX OFFICE TABULATION MYTHS" - ORIGINAL POSTING: MAY 27, 2008

http://www.thestar.com/entertainment/article/431289

The above link is regarding how much business Indiana Jones and the Kingdom of the Crystal Skull did over the weekend.

You cannot escape the box office scores. They are in our faces every Monday morning -- or even Sunday afternoon! Trouble is abound, however, as the average citizen does not know how to read these numbers and is almost always impressed. (This is no fault of their 
own as studios do not want anyone to know how to read these scores.)

When you see that Bob's Shirt makes a "whopping" 80 million dollars over its opening weekend, that amount is not profit for the producing studios. Only 40 to 50 percent of that big 80 actually makes it back to them -- this is the "rentals" portion. The theatre, or "exhibitor", and the distributor, keep the rest. What we have now is approximately 35 million back in actual profits. Bob's Shirt cost 150 million to make (the "negative" cost), and 100 million was laid out for release prints and advertising (paid for by the distributor, which wants its money back), adding up to 250 million dollars. This so-called hit has made only 35 million, or so; 35 to be applied against the 250. (Interest accrued on the outstanding 250 million is also factored in as money-to-be-recovered.)

We all know that it's all down hill from here. Movies traditionally drop 30 percent, and often much more, in their second weekend of release. You don't have to be a mathematician to figure out that getting that 250-plus back is not an easy battle; a battle which most films ultimately lose.

Yes, movies can go on to make a lot of money on home video, but again, big costs are incurred in promoting "on DVD, next week!". It's now a whole new battle.

On Monday morning of this week, newspapers reported that Indiana Jones and the Kingdom of the Crystal Skull has already made its money back (as of Sunday night).

Well, no it has not...



(The Motion Picture Association of America [MPAA] claims that about 70% of all films released lose money.)




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